IndieTalks

Supported by the Hohenberg Foundation

In addition to screenings and post-film Q&As, the festival includes free panels available to the public -- featuring filmmakers, journalists, and industry professionals, offering insights on some of the most relevant topics in filmmaking today!

Panels will take place on the second floor of Playhouse on the square, in the Event Room.

SATURDAY, OCT. 22 @ 1:30PM

Stars, especially those of the pop variety, have an allure that’s bolstered by various aspects: their artistry and talent, their fashion, but most importantly, the type of experience and fantasy they allow or encourage fans to craft about them. As social media shifted amid the rise of the One Directions and BTSs of the early 2010s, so did the passionate ways of expressing and engaging in fandom for your favorite popstar– what does it mean for a star to be born now and what place does that put the experience of being and becoming a fan or stan in?

Featured Panelists:

 
  • Rōgan Graham is a freelance film journalist and programmer from South London, with a background in cinema marketing. Her writing has appeared in Little White Lies, i-D and Total Film and has a focus on Black British cinema and depictions of pop-stardom on screen, having recently presented a sell-out screening of Glitter (2001) at London's Barbican Centre and in 2021 was the commissioning editor of The Underground Railroad FYC awards book.

  • Originally hailing from Birmingham, Alabama, Laure Bender is a short film programmer and writer based in Brooklyn, New York. She has screened short films for Sundance Film Festival, SFFilm, Camden International Film Festival, and New Orleans Film Festival, among others. Presently, Laure serves as the Manager of Public Programs at Sundance Institute where she produces screenings and filmmaker events for students and emerging artists. Previously, she worked in new play development for Sundance Institute’s Theater Program. Laure is currently working on a short story, titled “Teeth.”

 
 

SATURDAY, OCT. 22 @ 3:30PM

It is exactly five years after New York Times journalists Jodi Kantor and Megan Twohey broke the scandal of film executive Harvey Weinstein’s years long sexual harrasment and assualt of women in the film industry. The film industry and world instantly had stopped tolerating behaviors they accepted directly or indirectly. But, five years later, what really has changed as far as power, abuse, and sexism in the film industry?

Featured Panelists:

 
  • Soraya Nadia McDonald is the senior cultural critic for Andscape (formerly known as The Undefeated). She writes about film, television, and the arts. She is the 2020 winner of the George Jean Nathan prize for dramatic criticism, a 2020 finalist for the Pulitzer Prize in criticism, and the runner-up for the 2019 Vernon Jarrett Medal for outstanding reporting on Black life. She was a contributing editor for Film Comment and has contributed criticism to Fresh Air with Terry Gross.

    Soraya was a 2018 Eugene O’Neill National Critics Institute fellow and she is a member of the New York Drama Critics’ Circle, the National Society of Film Critics, and the Television Critics Association. She is a member of the board of trustees of the Eugene O’Neill Theater Center. Before joining Andscape in 2016, she covered pop culture for the Washington Post, where she focused on issues surrounding race, gender, and sexuality. Soraya graduated from Howard University with a degree in journalism in 2006. She spent six years covering sports before turning her focus to culture writing. Soraya grew up in North Carolina and lives in Brooklyn, New York.

  • Blair McClendon is a director, editor and writer living in New York City. His work as a filmmaker includes the award-winning essay film America for Americans, which has played in festivals and at universities in the United States and Europe, and the short narrative I'm The One Who's Singing. His editorial work spans documentary and fiction and has played at Sundance, Cannes, Tribeca, TIFF as well as other festivals around the world. He most recently edited Charlotte Wells' Aftersun. His writing has been published in n+1, The New York Times Magazine, and The New Yorker.